Chef (boiling pointUK / 2021). Tabuk: Philip Barantini. script: Philip Barantini and James Cummings. Photography: Lewis died. Music: Aaron May, David Ridley. Version: Alex Fountain. spit: Stephen Graham, Vineet Robinson, Ray Panthake, Hannah Walters. Period: 92 minutes. distribution: cd movies. We saw: very well.
There are films that display a certain ingenuity as if it were a requirement indispensable condition For immediate admission there are films such as the chef, from the British Philip Barantini, Based on his 2019 short film which also starred Al Masoum Stephen Graham (Irish,time, meager masks). In this case, the director’s decision to shoot his feature film in a sequential shot is not only capricious or a sign of paranoia, but a functional source for a no-break story that shows the “behind the scenes” of a London restaurant, where anger rebounds from the moment it passes Its owner, Andy (Graham, exceptional), walks through the door and meets a health inspector who has some bad news. like this boiling point From the original title advances, the film unfolds in a dizzying, boiling fashion, to rise, With the worst case scenario as the final destination.
Screenplay by Barantini and James Cummings – Nominee For BAFTA Awards 2021 in which Chef He aspires to four statues – first it follows his central character, a chef who is no longer a leader, who has lost the respect of his team and suffers from the impossibility of seeing his son as a result of his addiction. This way when Andy enters the kitchen his own chaos is reflected in it, some employees don’t focus on their work and some arrive late because they don’t consider it important, and some stick to that restaurant because they’re still tied up. For the concept of ephemeral fidelity to its reality.
In addition to the wonderful interactions between team members with different visions and situations before the unrelenting work day, Chef It also shows the effect of calmly dealing with heterogeneous clients on them. In the film there are barbs for influencers delusions of grandeur, those who flood the staff with unusual requests, who see in the waiters people who do not deserve respect, They are there at the mercy of those who give orders. Barantini and Cummings, on the other hand, inevitably present what will be the biggest conflict: the feud between Andy and an ex-partner over this struggling restaurant. Although the former refuses to give up what he no longer has, in fact, long ago, the latter reveals the colder face of those who run a company in which there is no place for the weak.
Chef It oscillates between those transactions made on gastronomic night and the human side of those who add value to their dishes. In regards to this, actress Vineet Robinson emerges as a chef who doesn’t want to let go of her boss’s hand and is torn between accepting another offer or holding on to a place where she often takes the helm because no one wants to hold her. Chef It’s a grim, untamed, claustrophobic film, and the sequel’s footage is anecdotal given the sum of successes it accumulated in its hour and a half. As we said: Paranite needn’t brag.
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