Last Night in Soho (2021) movie review: Streets of Fire

Re-released on DVD, “Last Night in Soho” is a vibrant psychological thriller from the author of “Baby Driver” (2017), focusing on the adventures of a young woman traveling to the UK capital in a decade of 60 years. In other words, time Thrilling “Swinging London”, where nothing is as it seems, to the point of standing at the neck in a criminal intrigue, which also includes a captivating singer … seasoned with an amazing soundtrack, where present and past blend in an unusually clever way, while the streets of that district In the neighborhood of Westminster and part of the West End spit fire.

Evocative characters, seductive Anya Taylor-Joy and Thomasin McKenzie roam the nightclubs of a city as fantastic as it is ghostly. So much so that his ultimate responsibility makes the film’s latent schizophrenia a magical thing. In the same way that multiple spotlights, neon flowers, fancy shop windows, mobile and clutter take over, here’s a truly overwhelming liveliness and nerves. They are shadows, quick characters, represented by little more than a sigh, narrating small epics, announcing the fate, not a bit random, of humanity growing uncontrollably.